Lina user manuals are now online on our site here.
Reason for the delay is that we will have online HTML versions of the Lina user manuals shortly, but these aren’t quite ready yet, so have uploaded the PDFs for now.
We have the PDFs available in English, Chinese, Korean and Japanese.
Am I the only one miffed by the LINA introduction? My complaint has to do with the Expanse technology, which I have not heard but of which I have read only rave reviews. My understanding is that this technology is housed within the LINA DAC and not the headphone amp. As a loyal dCS owner how does this benefit me (Rossini plus clock with an order in for the weeks/months backordered Vivaldi APEX)? The dCS HA may indeed turn out to be phenomenal but I already have two phenomenal amps with which I am quite pleased. To experience Expanse am I to purchase the LINA DAC and use IT over the Vivaldi??? My questions are:
1–Is Expanse an actual circuit board (hardware) that must be housed in the LINA DAC?
2–Is Expanse just software that can be downloaded into our DACs?
If the answer is 2 then great. If the answer is 1 then I am of the opinion that dCS has done its loyal fan base very wrong by not making this technology readily available.
Im a fan of expanding Expanse (sorry!), but I’m having a very difficult time understanding this negative reaction. How is it that Expanse on a separate circuit board would do the dCS customer base “wrong”? By this logic, no manufacturer could ever develop new technology that requires a new hardware architecture without “wronging” its customer base. Daft.
I’m a long term headphone user (Wharfedale Isodynamic, anyone?), and interested in Expanse, but I’m happy to wait for it to be introduced higher up the dCS range.
If technically feasible, and the reaction to Expanse is very positive as it seems to be, I expect it will appear as a software upgrade on Rossini and Vivaldi eventually. dCS are a small company, they make their money by selling hardware, and the software upgrades are always free. Let’s be patient.
And also without any clarity on whether it’s the DAC that’s better (my vote: unlikely), the headphone amp section that’s better (my vote: likely, especially with harder-to-drive ‘phones), or both.
Looking forward to trying the Lina, but expecting that a 2.0 Bartók will better it as a DAC. It may even better it without the mapper upgrades, actually — that sounds most likely to me. dCS likely wouldn’t enjoy the idea of the cheaper Lina being better than the Bartok, clock or no clock.
That much was expected for me — there’s a dedicated clock, by all accounts a beefier amp, and it costs more
The comparison I’m looking forward to is a Lina DAC and headphone amp vs. Bartók (on old mappers) + Lina headphone amp.
Love that this is out there now. Wonder how much of the dCS design language for Vivaldi and (eventually) Rossini replacements is evident in the Lina. Fun times!
The new software for DCS Bartók HDac 2.0 will probably force a revision of this review to take into account the sonic improvement it will bring to the sound.
I have ordered the Lina headphone amp today. My regular dealer is not able to deliver it, as he is not part of the “select dealers” in the head-fi trade. He is not at all happy about that!
So in due time I can make an assessment of how the Rossini + Clock + Lina sound, with a direct comparison of the Lina and Benchmark HPA4, both with Abyss 1266 TC and Susvara.