It’s generally recommended not to stack dCS components, yet almost every photo shows the Rossini APEX DAC/Player atop the Rossini Clock or, in the case of the Vivaldi APEX, the DAC, Upsampler and Clock (and sometimes a transport) stacked together.
This never made sense to me… just to get the components together in a cool photo?
Yes, I love those artful photos of really nice systems in beautiful spaces with not a single cable in sight, not even power cables! Clearly they are using MagSafe.
I will be completely honest here: I moved the clock to the side of the DAC and I cannot hear a difference versus stacking. I think it looks odd too. Will probably stack them up again and move the ethernet switch to the where the clock was.
I started out stacking because of a space constraint. After getting a new cabinet I was able to put the clock on a separate shelf. If there’s a difference in sound, I can’t hear it.
I tried stacking the original dCS Elgar/Purcell/Verdi/Verona combination and the successor Paganini four box collection. I have not tried with the ( mostly) Vivaldi components as they are just too heavy to shift only for an experiment.
The result of where I did this was clearly audible and, as advised in the instruction manuals, separate shelves were then used.
However the audibility of what is electromagnetic interference was pretty subtle. Further it seemed to me to mainly affect the general “openess” of the system and this was particularly apparent in recordings where the environment’s acoustic had been recorded. For recordings made post roughly 1970 engineers have tended not to do this for rock/pop or jazz genres.
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As someone wiser than I once pointed out, if it’s not on the record in the first place, you are not going to hear it.
The stacking issue relates to electromagnetic interference e.g. from transformers rather than vibration so, unless very tall, such devices won’t do much.
It is difficult to know exactly what type of transformers are used but the square blue casings suggest laminated rather then toroid designs. dCS’ suggestion to use separate shelves for multiple units implies that there could be interference from stray fields but any precise extent of this is not known to me.
I’m in the same boat – I tried 2 different Vivaldi stacking options. First, placing the clock underneath the APEX DAC and then moving that (DAC) onto its own shelf & moving the UpSampler + on top of the clock.
I have no intention to use any footers/isolation between the 2 components on the bottom shelf. I had Stillpoints with the Paganini and couldn’t justify their contribution & ended up selling them.
For practical reasons I have my Bartok Apex stacked on my Rossini clock. My dealer said this was ok and after more than a year I haven’t noticed any ill effects.