That depends upon the precise wording o the Sony and/or Philips licence. If it clearly refers to what amounts to an unencumbered DSD output then DoP may be construed as preventing this as a DoP decoding stage is subsequently required.
The next question is the status of the patent per se.The duration of patents varies from territory to territory and the original will certainly have expired in many of them.
So it is a lawyers question. However there is also a business consideration as SACD never turned out to be the success originally intended and is now very much of minority interest. Patent cases can be very expensive and it may be that in a case such as this it would not be viable to pursue. In any case ( though there may be exceptions that I am unaware of ) if patent extensions of the original were sought and granted in many countries they too would likely have expired by now or in the immediate future . The USA is unusual in having a very long protection period of 20 years but even that would presumably have expired by now unless grounds were found for an extension and if the patent holders thought it worth doing given its minority interest.
Like many here, I was an owner of several pieces of PS Audio gear. In fact, the electronics for my Legacy Aeris speaker system (except for the Wavelet), were all PSA: DirectStream DAC, DS Transport, BHK preamp and mono amps. I’ve always thought PSA delivered good value, punching above their weight class, especially the DAC with its frequently updated FPGA.
But the Transport was a frustrating affair. It could play SACDs, DVD-A, Blu-ray, etc., but its UI was hit-or-miss, and it often failed to play discs properly. The sonics were fine, but not the interactivity. I eventually sold mine when it became clear that PSA could not get it working right, and not sure I’d buy PSA again because of it. That led me down the path that brought me to MSB (with disc) and eventually to dCS, but sans discs. For the occasional disc playback, my Oppo UDP-205 with a D.BOB into Vivaldi stack was more than adequate. In fact, with the video output of the D.BOB to a large screen, it was in fact better than the PSA. I had a couple of small clock setting glitches to resolve, but the maker of the D.BOB got me through that. After that, it was smooth sailing. As good as network playback? No, of course not, but darn close.
I’ve left discs altogether. The Oppo 205 just sold, and the 105 will soon join it. The MSB transport will also go on Audiogon soon. As will the PlayStation and Sony players that were my backup ripping devices. The local library will take my discs. I always thought I would keep one rip-capable player in the house along with the roughly 300 or so high quality discs. But the integration of Roon and Qobuz, and the material I already own (no need to go into legalities here) has freed me from that. To those who enjoy discs of any material, play on! To each their own!
I ripped MoFi’s new “Thriller” recently. And it sounds FANTASTIC.
I bought a PS3 with 3.53 firmware way back when and used it to rip tons of SACDs to DSF files. The PS3 started to sporadically not read discs about a year ago so I looked into other means. Got a BDP-S5100 on ebay in super-clean condition for $30 and that’s it! Much easier ripping than with the PS3, and the player is tiny (all I use it for is SACD ripping).
You should keep yours - there are many titles from Analogue Productions or MoFi that are not on streaming and only come out on vinyl and SACD (I think the issue is they only have a “physical media” license).
And given we now know that MoFi’s LPs are mostly DSD256 transfers, the SACDs from MoFi (which are not streaming or can be bought as downloads) are closer to the analog master than we thought. For example, Miles Davis’s “In A Silent Way” on SACD sounds absolutely spectacular, and Carole King’s “Tapestry” on SACD is the best version I have heard of this - I have many vinyl releases of both these albums.
Points well taken Miguel. Like you, I started my ripping adventures with the firmware limited PlayStation. Once I got it going, it was fairly easy, if a bit of a laborious process. With the Oppo and the MSB, I just kept a USB stick with the necessary software permanently plugged in and on my network. Load a disk, hit “execute” on the app on my Mac, and I had meta-taggable files within minutes on my NAS. Could not make it a whole lot easier. I also have a BDP-5100 that I paid a bit more ($47), but have never used. It’s a backup in case something else fails.
And your point about MoFi discs is spot on. As an example, I have just about every version of the Allman Brothers’ various Fillmore East concert/sessions. Several are quite good. But the MoFi SACD (for me) wins out over the Mercury by a non-trivial margin. MoFi doesn’t get them all perfectly by any means, but they seem to have a higher hit rate than most of the others.
So, maybe I will keep the 105 on network. Either that or see if I can get the 5100 going.
The latest Mofi SACD Thriller MJ sounds absolutely great, by the way the CD layer does not sound bad on my Rossini player either.
I took the ripped version (oppo bdp-103d) to my dealer on an USB stick and listened to it on his reference system, best I have heared Thriller and Lady in my life up to date.
I rip my SACDs as it’s the only way I can play them.
Sure there is the Rossini Tranport but the MSRP is very, very prohibitive.
To be fair, even the price of the PS Audio SACD Transport is out there considering the price of other transports.
The key is you are pretty much stuck using the Rossini Transport only due to the word clock in capability. The Jay’s Audio CDT3-MK3 can be used for Redbook playback on Vivaldi (or systems with a Vivaldi Clock) as it needs a 10 MHz clock which the Rossini Clock can’t provide.
If your 105 is in good shape, just keep it as it is a great device (and selling for a bunch these days). I set up the 5100 with the USB key permanently in the back and attached to the network, and ripping is super simple.
BTW, my understanding is the transport mechanism and control system in PS Audio transports comes from Oppo!
Yeah, I sold my 205 for more than it cost me new. And similar opportunity is there for the 105. I downloaded the ripping files for the 5100 when I bought it, but never got around to loading them up. I should do that.
And yes, Oppo made very good transports. Is it confirmed there what the current PSA transport uses? I know it’s an Oppo mechanism in my MSB Transport.
Probably but it depends on where you are. Downloads are sales of the crecording and the right to sell is often limited to given territories. So what can be downloaded in one countryoften cannot be obtanied in another.
There can be downloads not available in certain countries - eg Kraftwerk’s german version remasters were not available for download in the US - I bought them through my UK Qobuz account. They might be now, I don’t know.
But Analogue Production reissues and MoFi are never available for download anywhere to my knowledge.
But I won’t be surprised if my 